Shared by Oleksander Vasin -
Inner vision
"The 4th Tone for me is one of those aspects that carry with it quite a story and its own mysteries.
Think about the language here, we’re talking about inner vision. It’s one of the things to see about what inner vision is all about. It’s not about seeing, it’s about reconstructing data. It makes it very odd in the way it operates.
In other words, think about abstract seeing, you’re watching the experiential. In that abstract seeing, in fact, you’re not really seeing very much while you’re participating in it. As a matter of fact, your focus—it really wouldn’t be a focus—you would simply have a very narrow existential spectrum in terms of your seeing. Yet, the real capacity of the 4th Tone is not about being alert in the sense of being left, being 3rd Tone and connected to splenic survival, but not being alert at all, as a matter of fact. How can I phrase this? What the 4th Tone does is it selects image bits, image segments, visual segments from any experience and it’s the visual segments that it stores.
Now, the visual segments are sort of like writing a sentence without conjunctions or anything in between. It takes out things, and it takes out things that are filler—the thing between this and that. It takes them out. Because it takes them out, when it’s taking anything in, it is only taking in the components and there are things left out.
For example, you have the problems of the translation of the Qumran Scrolls, the Dead Sea Scrolls, and the dilemma was very simple. The ancient Aramaic languages all used power points. That is, you can still see that in some modern languages like German or French where you have these power points that change the way in which a word is pronounced.
If you don’t know what the points are, or if you don’t know where the points go, it’s like you have the letters G and D but you don’t know whether it’s God or gad or gid or good or whatever the case may be. So this is the way in which the 4th Tone designs our mind to take in information to reach cognition. Remember, the goal is to reach cognition. It’s not like this is a handicap or a problem, it’s only a problem when you relate it to the not-self and the way in which the not-self mind operates.
But in terms of Design it’s a really interesting design. In other words, the 4th Tone designs us to visually only take in certain things from any experience. It just does. Not only that, when we take it in, then we go through this process because this is what the 4th Tone brings to us, is it brings us this process of re-seeing. And reseeing is a dilemma. You know what that’s like when you’ve had a very bad experience, an emotionally trying experience, you’re very upset with somebody, whatever the case may be. This is where the 4th Tone—remember, the 3rd and 4th Tones are very tricky because they give the mind access and illusion of authority because they tap into these other awareness areas.
Of course, inner vision taps into the Solar Plexus binary. How easy it is for the mind to bring into mind this distorted memory of an experience. Would you remember the look on their face, the snarl in a moment, whatever the case may be, you do not remember the experience. You don’t. Yet, what you do remember sets off all kinds of fireworks because it’s directly connected to the Solar Plexus, deep, deep underneath. It’s inner vision….
And anyone that has a 4th Tone is going to end up with a kind of mind in which things roll around, periodically they show up to be assessed again. It’s interesting because every time that the mind receives, it changes what it’s seeing. It evolves.
Some things become more highlighted. You know what that’s like, every single human being has their kind of pat introductions about who they are or the way they describe themselves to the other. Every human being has that story that they’ll always share with you at some point or another in their intimacy with you.
Like all of us as human beings, because we are gregarious and because it is part of our collective principle to share, we tell these stories, the ones that are dynamic enough in our process, we tell them over and over again. And yet, every time that we tell them we are retelling them. We are making them up anew. And we are borrowing from what are samplings of that story that in fact after many retellings that the mind is actually remembering a retelling, rather than the original. And it eventually becomes—it doesn’t have to be terribly distorted from the original, but it certainly isn’t anything like it. And there are so many things that are not there.
Now think; this is the path to cognition. So exactly how does that work? When we look at the left side we saw how important it was to see not the pattern, but anomalies in the pattern. Here you can see that the left eye is all about differentiation. The differentiation is rooted to experience.
One of the things about 4th Tone beings is what they actually remember are new experiences. Everything else is ancillary, everything else gets layered on top of it.
But it is this potential to remember the experience that is the pathway to cognition. But it’s not remembering the experience in order to do something about it. This is the dilemma again. The dilemma is whether or not mind is the authority. As long as mind is not the authority, as long as the being is operating out of what is correct for them, as long as mind isn’t responsible for the moment-by-moment burden of decision making, then it’s possible to retell the experience, and that in and of itself becomes an inspiration, becoming one of those incredible moments of cognition.
The 4th Tone is the root of our fantasy. It is the root of making things up. And I don’t mean that in the sense of making lies or maliciously inventing things. It’s about understanding a basic principle of mind. The basic principle of mind is that it will manipulate reality and ultimately that manipulation can be concretized…
So, we have a dilemma with the 3rd and 4th Tones is that they enrich the mind with great powers, powers of cognition through seeing. And yet, the very gift that they endow us with, which is to be aware on the mental plane, is the most difficult of all to reach. It’s periodic, after all. It’s not concentrated.
The Spleen, if that is what it’s all about for you at the tonal level, it’s always there to be accessed, whether you’re defined or not on the surface, it’s always there. It’s concentrated. But this is not. This can be that period in your process, within the larger period that’s been made available to us as a specie, to really get it right.
So, when you see a client is going to have either the 3rd or the 4th Tone, and particularly 3rd or 4th Tone related to the internal, because this is very specific, then to understand the dilemma for them, how much focus has to be given to removing inner authority from their mind, getting them directly into the experiment because if they don’t get directly into the experiment it will not be possible. Because ultimately in the way in which they are designed at the architectural level is that they are designed to achieve cognition through mind and when that’s bastardized by the not-self this is the arrogance of mind to maintain its vanity. And quite frankly, 3rd and 4thTones, at the internal level, have been defining the mental plane for tens of thousands of years, and not in a positive way.
Yes, they have given us our civilization. Yes, they have given us the world that we’re in, but so what. There is no “what ifs” when it comes to the past. It’s not like I could say, “Well, what would it be like if…” because we have no way of seeing it.
But the fact that this is where we have gotten to through the not-self doesn’t mean that there’s anything about it that’s correct.
We truly do not know. We can’t. There is not yet enough individual authority on this plane now to even begin to express what the possibility is. What the possibility is for human beings to be able to operate correctly as themselves and with the other, and to operate according to their own authority. And to operate in a way that is biologically and chemically perfect for them. We can’t imagine that. Not only can we not imagine that, it had never been a possibility before."
-Ra Uru Hu (PHS Year 1, Semester 2 - maybe 🤔)
Thanks Lily Susan
Image sourced here -
https://ideastand.com/art-therapy-ideas/
@Carizma22 3/5 splenic P, has said yes to sharing this 😍
I love it when I get to be privy to an ‘experiment progress report’ from one of our Locals members.
Wanna celebrate with me? 🥳🤩🙌🏽
This next one is a tale of Carole’s undefined solar plexus adventures, originally posted in a Projector fb group.
Cool witnessing Carole! 🤗
Thread gist in comments (screenshots) and a somewhat messy screen grab video of the video recommended in one of the OP comments she received included below (above?🤓)
And there’s a short video of @BeyondBeautiful and me first talking about “avoiding confront and truth” which includes a story I often have told about John and the very first real time glimpse I saw this undefined solar plexus dealie irl. Can find.
Blew my mind.
I know there are several splenic Authority folks in here, maybe you have stories to share too?
"Some ideas take decades"
This is pretty inspiring. She reckons she's finally finished her apprenticeship at 70 💜
Fun add-on HD irl example - this was shared in Vanessa's group on FB, The Art of Being You by another appreciative group member (thank you Kathrin 🤗), and I first watched it a few hours ago.
I immediately thought what a great share it would be in here 🤩 but it landed pretty quickly on my 'roundtooit list.
Maybe to get shared here, maybe not. Tbh, the hold up was that I didn't really want to share a FB link in here, so I was looking (investigating) around to see if it was on another platform.
Hadn't found it yet.
Then it turns out that @NaimR wasn't able to view it from Canada (someone is blocking it for Canada ? wha?) and she said as much on the thread in Vanessa's group.
And you know what kicks in?
My Design (19/49 and Markets internal in particular), which had me heading this way anyway - at some point ... maybe... but I always get a little boost of focus from ...
There were three roller coasters 🎢 we had on or radar for the last hour before the rides closed.
Wasn’t to be, but we did find this nice place to sit and wait out the deluge that started right after we grabbed a great smoked BBQ supper.
And ooh it cooled everything off perfectly. And gave us some rest before we found our way back to the car (which was parked on the very first row of priority parking 🥳)
Ahhhh nothing to do, so much nothing to do 🥳🥰🍿
This is a post and audio from @BeyondBeautiful - Valerie Montgomery, Self Projected Projector
"I wanted to make this breakfast and found myself rushing.
Now, you might be interested to know I have Alternating Determination, which means I need to do things “One Thing At A Time,” which turns out to be the title of the song I made up to shift the energy of starting to make this breakfast.
I also have an Undefined Root, so it always feels like I need to get rid of the pressure. Also known as feeling rushed to do things.
It would have been lovely to have my cat fix my breakfast, and I had the time, so..
Also being Self Projected my authority comes out through my speaking, or in this case, singing."
Great awareness and share, thank you Valerie! 💜Not sure that's the right title for this, but it's what came out so I'm rolling with it.
This story began in a FB group. Where many of my stories do.
I can't actually remember the thread or how we ended up in messenger, but the reason we did was because 5/1 Projector with Gate 1 on an undefined G center ... had music of hers to share but hasn't been able to share it so far.
Am still waiting to see if the rest of the story gets shared with me.
So she asked me what sort of music I liked and did I want something more abstract (I think it was) or a vocal cover. I chose vocal cover and she picked this one.
I felt it to my core.
Not sure if part of that was related to some of what she'd already (not intentionally) told me ... 5th line folks can take a lot of patience to draw out - that's been my experience so far anyway.
Some feel interesting enough to spend the energy on :) That's true here.
A kind of sidenote to this is that both my Uranus Opposition (40ish yo) and Chiron (50ish yo) charts carry a 3/5 and it feels like, though I'm not a 5th line - I do sort of get ...
Dave Myers
https://www.facebook.com/share/v/1HyKBE9tpm/?mibextid=wwXIfr
Here he is over on TikTok
https://www.tiktok.com/@neutrinoradio?_t=ZT-8u1npsHczms&_r=1
Yesterday, @mellijae shared a graphic from 64Keys and it reminded me that there's a hashtag in here for #theplanets
Here's a direct search link -
https://planetandrea.locals.com/?search=%23theplanets
If you're interested in planetary placements in your chart - those 11 posts are a great place to begin. :)
by Richard Rudd
"There is one big key to understanding Projectors, and it can only be found by looking at the bigger picture.
We know that statistically, Projectors make up 21% of the population. That means that for every five people, more or less, there is one Projector.
Those are interesting numbers, especially when they are considered within the context of how Gene Pools operate.
There is a mysterious circuit within the Bodygraph that is curiously known as the WA. The WA holds the secret to the choreography of all human gene pools.
One day, when these aspects of Human Design are explored in more depth, we will be able to see how groupings of individual designs come together in the same way as cells bind together to create the organs within our bodies.
For those who baulk at the idea that we have no choice, this is frightening stuff.
The WA shows how different human designs are collectively organised and herded together to perform certain functions within the greater body of humanity.
Imagine then, that humanity is a body like your own body. There are only 4 types of cells, each with their own sub-programming.
At one extreme, you have a small amount of ‘rogue’ cells, independent bodies that are designed to operate outside the loop of the mainframe programming. Ironically however, these manifestor cells are just as dependent upon the whole as any other type. They are simply programmed to appear independent.
At the other extreme, you have a tiny percentage of early-warning cells – these unusual cells have no programming of their own but are designed to take accurate readings of any cellular environment they move through.
In every sub-culture you will find a few of these cells reflecting the health of the local environment. Their role is to warn the overall intelligence of the body of any potential disruptions to the organism. They are called reflector cells.
The bulk of the cellular life of the body (91%) is made up of the two most common kinds of cell – generator cells and projector cells.
These 2 types are designed to interlock with each other. The generator cells collectively create the life of the organism. They are pure energy cells buzzing day and night, maintaining and building the whole.
Projector cells are unique. They have no propulsion of their own, so they drift around on the endless energy currents created by the generator cells.
You might imagine how easy it would be for a projector cell to feel that it had no purpose within the body.
However, each projector cell actually has a very specific purpose (some have more than one), but that purpose can only be realised when certain energy cells (generators) dock in with the projector cell to receive instructions.
Since the projector has no propulsion, it is powerless to initiate this process, but has to allow the generator cells to recognise them and dock in within their own timing. This recognition process takes place through a coded lock and key programme built into these 2 types at birth.
In other words, every projector holds multiple keys that fit an enormous array of locks. When a key does not fit a lock it is very obvious!
Through the knowledge of the WA, we know that the basic genetic unit is 5. These human groupings of mainly generators and projectors are also known as ‘Pentas’.
The nuclear family is a family of five.
Statistically, that is four generators and one projector. As an archetype, the role of this fifth projector is to maintain the stability of the 4 generators.
Right, this next part is where it gets spooky, so hang on to your seats and try and stay with me!…
Just as this fifth projector draws together the 4 generators to form a penta, this penta then takes on a life of its own. It also seeks something greater to dock into, and this is known as an OC16.
Pentas (groups of 5 human beings) seek out another projector, known as an alpha. Alpha projectors naturally dock together with three pentas, making 16 people (including the alpha).
The moment you have 16 people together, you actually have the foundation of an entire gene pool, which then continues to grow exponentially.
Right. I am going to stop there. Whether you were able to follow any of that or not, I am trying to make a point – which is that if you are a projector, you are genetically coded to have others (specifically generators) recognise you and approach you.
This is the foundation of the success of humanity as a species. The projector’s role is pivotal for life to be coherently organised.
But there is a great irony to it all for the projector – which is that there is nothing for them to do until they are recognised.
Every projector knows when the key fits. Every cell in their body lights up.
They also know when it only ‘sort of’ fits.
Those are the critical moments for projectors. If the fit is not perfect, they have to smile sweetly and turn away.
So how long does a projector have to wait? Well, forever.
There is a deep secret for projectors going through their deconditioning – that is, waiting itself transforms the cells.
The relief of not trying to make keys fit when they do not want to fit, releases a huge pressure from the projector’s life.
But it is also clear from my own experience of observing projectors that they are not always able to immediately throw away keys that do not fit.
Sometimes those keys may provide their livelihood, and they have to hold on to them until they find the correct keys to replace them. That takes courage – to wait knowing something is wrong and you are powerless to change it.
I have a vast admiration for any projector going through their deconditioning, and I have also learned that I can never move forward in life without the presence of projectors in key roles around me.
Projectors, if you cannot be patient, there is no hope for any of us…"
This is a little outside of my 'care' zone, but can see the things we've trusted faltering.
I think Human Design is here to offer people awareness to be able to weather what would otherwise feel like impossibly stormy times.
Lucky us 🤗
Also, what a cool picture Chaitanya found 😍
- A
"The knowledge was given so that human beings could be equipped to live in an age in which there was nothing they could trust.
This is what the Cross of Planning has brought us. It’s brought us an age of, within reason, trust.
That the trains will run on time, that the electricity will be there, that all of those things will work, that our children will have teachers in their schools, that the garbage will be picked up and on and on and on.
All the things that the Cross of Planning has brought us, the institutionalization of science and the spreading of all kinds of technologies that enhance the potential for the increase in human population, the increase in the potential of the gene pool, the increase in the potential for the unusual, the mutative.
Human Design is not about the time of the Cross of Planning. Human Design knows the plan. It’s not about that at all. It's about bringing the possibility of the richness of life to the next generation.
If the stellar family teaches us anything it’s that even the gods, even the remotest forces in the stream are concerned about the generations and the movement of information.
There are certain stars in the sky that could not exist until other stars had died. The fact that human beings and certain brain functions, elements in our brain, that can only exist after the death of stars, we are so deeply connected to them. We live very close to one. That is our shelter and our light."
- Ra Uru Hu
