Planet Andrea - Doing Life as Yourself with the Guidance of Human Design
Lifestyle • Science & Tech • Spirituality/Belief
My umbrella brand - Doing Business as Yourself - is about creating personal autonomy through digital income streams, which is heavily supported/guided by a view through the lens of Human Design.

YOUR Human Design.

I also love delicious food, clever memes, chihuahuas & feel dang passionate about free speech. C'mon in and let's see what happens next :)
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Material Environment: Best Relationships with the Other (Color 2 - Markets)

This starts off with a nice peek into what Line 2 personalities (hermits) are about, but then it’s all about Color 2 Environment…. and basically explains Planet Andrea 😊

I also have Color 2 Determination-Taste and Tone 2 (also Taste) … so lots of 2 this and that operating over here 👈🏼

Funny side note as you read this - I also am married to a Cave environment person and two of the kids also are … wild eh?

I guess you’ll see what I mean once you’ve had time to take this in - or not.

Would love to find the source of this to be able to describe other environments more deeply.

Maybe I’ll investigate. :)

I thought the point about environment not mattering except in the context of interacting with others was an interesting addition. 🤔


“And what are hermits? Hermits lock themselves into the fixed pattern and reliability of whatever their hermit's place is so that they can recognize the call when it comes, the thing that will change the maia.

And in recognizing the call in the classic 2/4 configuration, the missionary that rises up and goes out and externalizes and influences everybody with the information.

So there is something different in the 2nd color.

It is much more rigid, it is much more demanding, and it is much more sensitive because there is so much that it doesn't want to bother with so it can have its fixed, reliable pattern.

Now, let’s think about it in terms of our nodal environments.

We saw last week “caves,” and we saw that fundamentally this is a protective, sheltering environment.

But of course, what is that quaint expression? The world is a business. The world has always been a business.

Of course, this is, in essence, what markets refer to. You need to understand that these keynotes always have to be deconstructed.

In a sense, the market is an evolution in the development of human social contact. Because remember as we‟re moving through the 1st to the 6th color in this nodal [environment] perspective, we’re looking at the evolution of social interaction.

We know that the cave was very limited. We know, for example, that the cave was immediate family, close, closed tribe.

But the market, in the market is where one clan meets another, where one tribe meets another, where one representative of one clan, one tribe, whatever—I have mastodon tusks, and you have whatever.

But the thing to recognize is that markets represent this first step out into the social domain and it is a social domain that is rooted in enterprise, business, the commercial, the material, any way you want to describe that.

In other words, these are beings whose natural environment, their healthiest environment is their business environment.

So, it’s these people, for example, who feel wonderful when they finally get out of their house and go to work [markets-external].

Or these people who feel fantastic when they can finally run their business from their home where suddenly things are so much easier [markets-internal].

These markets—what they really represent is a social methodology.

In the cave, you don’t get to meet new people unless they’re born. I mean, the cave is very isolated and closed off socially.

It tells you a lot about cave people. Cave people aren’t going to have these vast numbers of different kinds of people walking through their caves, they won’t. It'll be the modern variation of what kith and kin is, the clan or the tribe or whatever, but it is going to be limited.

But market people are very different because these are the people that their social dimension emerges within the business frame.

It’s the waiter or waitress whose entire social life is in their work, as an example.

In other words, what we had in the development of our societies, our cultures, is that it all began, basically, with the beginning of two very important phenomena.

That is, the control and husbandry of creatures, of cows and sheep and goats and pigs and whatever, and of course, agriculture.

And when you put those two things together, there was no need, to begin with, for all of the males to be going out on hunting binges, because there were these docile sheep that were in the pen.

The whole nature of how you get your share of the food became literally what you were going to do in this life.

And one of the things you get to see in the duality of the 1st and 2nd, because it‟s a fascinating duality to look at, is that here in the cave you have the family life and the family environment is the healthiest, and here in the market the business environment, or the business social environment is the healthiest.

In other words, you can see again this basic binary between the 1 and the 2.

Again, something that is so interesting is that it’s the 2 that carries with it this resonance to the potential that’s in all 2s that not only are they equipped to be in the market, but because it is an advantage to their aura in the sense that it diminishes the resistance that is there and because of the underlying theme of the 2, this is the possibility of quite literally being able to take advantage in those markets and take advantage in a positive way.

Because a little bit of knowledge is always a dangerous thing, there is obviously a very, very deep material meaning here.

I guess you can smell that by now. It obviously says very clearly that in terms of the nodal design configuration, which is one element of many, after all, that this is somebody that has an underlying potential for the material plane as long as they’re operating correctly, and they‟re going to have a greater potential on the material plane than others, which is also interesting.

But again, everybody has their thing.

In the same way that the cave people are going to have deeper relationships with their family, the market people are going to have deeper relationships with their customers, or their clients or their patients, or their “this and that,” whatever the case may be.

So when you’re looking at this market, basically what you're looking at—again, remember the real key here in understanding the nodes from the design side is always to see it within the context of its social value, it’s about the other.

We know that the internal [determination/digestion] is about you, only you.

About your brain system, your potential for perception, your potential for cognition, it’s only about you, and it’s only about eating the way that is bringing out your uniqueness and all of that.

But at the same time that the Sun/Earth is bringing you the potential of your uniqueness, your nodes are saying, excuse me, but, Mr/Ms Unique, you have to live in the world with the idiots, the not-selves, the freaks, the relatives, the employees, the colleagues, the this and that.

And this is the thing to keep in mind about the nodes.

If you're going to live totally isolated, separate from the rest of the world, you don't have to pay attention to it, because the nodes are about your relationship with the other and how to minimize in this not-self world the dysfunction in the maia that the other brings into your life.

And whether you’re correct or not, there is the weight and the pressure of the incorrectness around you.

Material Environment: Best Relationships with the Other

It’s always within the social frame. So, within this social frame you need to see that these beings who are 2nd color nodally that it is this material environment where they can best have their relationships with the other.

It means something. It says they're going to struggle in their relationships with their family, because here is a binary, here is a polarity.

They’re going to be much more comfortable in relationships with those people that they work with, that they sell to, that they buy from, anything having to do with the material interaction.

So their environments can be many things.

And we see quite clearly here that we have a distinction, an obvious distinction that maps the language of PHS itself.

That is, we see internal on one side, speaking Left, and external on the other side speaking Right.

You would think that should be reversed. You would think that the passive would be internal, that the active would be external. But they’re not.

Let’s take a look at it.

So, we know that market is where the social dynamic of this individual is going to operate at its best.

It means it’s going to meet the least resistance because it is an environment that is associated with materialism it means that it can bring advantages to it materially.

Not only that, but all of that is enhancing for the longevity of that being, and let’s say that they are fixed Left. If they are fixed Left, they are fixed to the internal.

One of the things to see about this internal/external is that the internal is deeply re- lated to the cave, deeply. In other words, when you're looking at the internal here, this is the attempt, in a sense, to deal with the dilemma of not having the family relationship, of bringing the business into the home.

Now, in most cases you don't see it as the business being brought into the home, you see the little family store where the family lives upstairs and the business is downstairs or in the back room or wherever the case may be.

And in fact, the whole thing is, in a sense the home. This is the internal.

And the external is literally external, out; out of the home, totally away from the cave, the real extension of that.

By the way, that external doesn’t mean that it is best for these beings to do business in outside markets, because in fact, if you keep in mind what we're looking at here when we’re dealing with the lower is that we're dealing with the hardscape. We’re dealing with a world of boxes.

Here in the context the internal box is simply bringing the business into the home environment.

Here the external is leaving the home environment and going out into the world.

By the way, being the business, being in the internal environment leads to it being observed and the being in the external environment goes out into the world as the observer.

Markets—if you look at the 2, one of the things that you'll see is that, if we’re looking at this as a social evolution, that the first thing that came after survival was business.

It was the first thing that came.

It is natural in human beings to trade. It is natural in them.

And it’s important because I had that earlier in today’s class with the first year class when I was talking about the 2nd tone, Left fixings of the 2nd tone.

And talking about its remarkable gift in terms of, as a cognition, how it is the bedrock upon which humanity as a species is able to handle changes in the maia.”

-Ra Uru Hu

Image sourced by Gaia

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Carole’s Undefined SP Adventures

@Carizma22 3/5 splenic P, has said yes to sharing this 😍

I love it when I get to be privy to an ‘experiment progress report’ from one of our Locals members.

Wanna celebrate with me? 🥳🤩🙌🏽

This next one is a tale of Carole’s undefined solar plexus adventures, originally posted in a Projector fb group.

Cool witnessing Carole! 🤗

Thread gist in comments (screenshots) and a somewhat messy screen grab video of the video recommended in one of the OP comments she received included below (above?🤓)

And there’s a short video of @BeyondBeautiful and me first talking about “avoiding confront and truth” which includes a story I often have told about John and the very first real time glimpse I saw this undefined solar plexus dealie irl. Can find.

Blew my mind.

I know there are several splenic Authority folks in here, maybe you have stories to share too?

00:08:00
Lindy Lee - Australian Artist

"Some ideas take decades"

This is pretty inspiring. She reckons she's finally finished her apprenticeship at 70 💜

Fun add-on HD irl example - this was shared in Vanessa's group on FB, The Art of Being You by another appreciative group member (thank you Kathrin 🤗), and I first watched it a few hours ago.

I immediately thought what a great share it would be in here 🤩 but it landed pretty quickly on my 'roundtooit list.

Maybe to get shared here, maybe not. Tbh, the hold up was that I didn't really want to share a FB link in here, so I was looking (investigating) around to see if it was on another platform.

Hadn't found it yet.

Then it turns out that @NaimR wasn't able to view it from Canada (someone is blocking it for Canada ? wha?) and she said as much on the thread in Vanessa's group.

And you know what kicks in?

My Design (19/49 and Markets internal in particular), which had me heading this way anyway - at some point ... maybe... but I always get a little boost of focus from ...

00:03:53
The rain that cooled off the end of our day.

There were three roller coasters 🎢 we had on or radar for the last hour before the rides closed.

Wasn’t to be, but we did find this nice place to sit and wait out the deluge that started right after we grabbed a great smoked BBQ supper.

And ooh it cooled everything off perfectly. And gave us some rest before we found our way back to the car (which was parked on the very first row of priority parking 🥳)

Ahhhh nothing to do, so much nothing to do 🥳🥰🍿

00:00:26
Color 1 Determination: Appetite - a song for Alternating/Consecutive PHS folks

This is a post and audio from @BeyondBeautiful - Valerie Montgomery, Self Projected Projector

"I wanted to make this breakfast and found myself rushing.

Now, you might be interested to know I have Alternating Determination, which means I need to do things “One Thing At A Time,” which turns out to be the title of the song I made up to shift the energy of starting to make this breakfast.

I also have an Undefined Root, so it always feels like I need to get rid of the pressure. Also known as feeling rushed to do things.

It would have been lovely to have my cat fix my breakfast, and I had the time, so..

Also being Self Projected my authority comes out through my speaking, or in this case, singing."



Great awareness and share, thank you Valerie!  💜
Color 1 Determination: Appetite - a song for Alternating/Consecutive PHS folks
Make You Feel My Love - A Gate 1 Melancholy & mundane Emotional Wave Story

Not sure that's the right title for this, but it's what came out so I'm rolling with it.

This story began in a FB group. Where many of my stories do.

I can't actually remember the thread or how we ended up in messenger, but the reason we did was because 5/1 Projector with Gate 1 on an undefined G center ... had music of hers to share but hasn't been able to share it so far.

Am still waiting to see if the rest of the story gets shared with me.

So she asked me what sort of music I liked and did I want something more abstract (I think it was) or a vocal cover. I chose vocal cover and she picked this one.

I felt it to my core.

Not sure if part of that was related to some of what she'd already (not intentionally) told me ... 5th line folks can take a lot of patience to draw out - that's been my experience so far anyway.

Some feel interesting enough to spend the energy on :) That's true here.

A kind of sidenote to this is that both my Uranus Opposition (40ish yo) and Chiron (50ish yo) charts carry a 3/5 and it feels like, though I'm not a 5th line - I do sort of get ...

Make You Feel My Love - A Gate 1 Melancholy & mundane Emotional Wave Story
INDIVIDUALITY CREATIVITY: I AM ART

Vanessa (whose 8-1 is defined) shared this.

My creative channel is 16/48 - collective channel of Talent.

The idea that “I am art” is true, maybe particularly with my G (the identity center) being open … “I am art” is so unrelatable. 🤓

But John’s chart also has a defined 8-1. I totally get how that’s true for him too. He is most himself in his creativity.

“In looking at individual creativity, one of the things to be clear about individual creativity is that the three individual creative channels the 10-57, the 8-1, and the 25-51-they all originate in the Self.

Individual creativity is always about their identity always. They are their art.

I am art. I don't make art. You are it. And this is the whole thing about individual creativity, individual creativity is literally in the identity and out of the identity.

And that, of course, is going to make it different than other kinds of creativity.

It also is amusing to note that these three different versions of individual creativity...

This familiar?

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Planetary Placements
& the clues they can offer

Yesterday, @mellijae shared a graphic from 64Keys and it reminded me that there's a hashtag in here for #theplanets

Here's a direct search link - 
https://planetandrea.locals.com/?search=%23theplanets

If you're interested in planetary placements in your chart - those 11 posts are a great place to begin. :)

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THE ISSUE OF PROJECTORS - HOW LONG WILL I HAVE TO WAIT?

by Richard Rudd

"There is one big key to understanding Projectors, and it can only be found by looking at the bigger picture.

We know that statistically, Projectors make up 21% of the population. That means that for every five people, more or less, there is one Projector.

Those are interesting numbers, especially when they are considered within the context of how Gene Pools operate.

There is a mysterious circuit within the Bodygraph that is curiously known as the WA. The WA holds the secret to the choreography of all human gene pools.

One day, when these aspects of Human Design are explored in more depth, we will be able to see how groupings of individual designs come together in the same way as cells bind together to create the organs within our bodies.

For those who baulk at the idea that we have no choice, this is frightening stuff.

The WA shows how different human designs are collectively organised and herded together to perform certain functions within the greater body of humanity.

Imagine then, that humanity is a body like your own body. There are only 4 types of cells, each with their own sub-programming.

At one extreme, you have a small amount of ‘rogue’ cells, independent bodies that are designed to operate outside the loop of the mainframe programming. Ironically however, these manifestor cells are just as dependent upon the whole as any other type. They are simply programmed to appear independent.

At the other extreme, you have a tiny percentage of early-warning cells – these unusual cells have no programming of their own but are designed to take accurate readings of any cellular environment they move through.

In every sub-culture you will find a few of these cells reflecting the health of the local environment. Their role is to warn the overall intelligence of the body of any potential disruptions to the organism. They are called reflector cells.

The bulk of the cellular life of the body (91%) is made up of the two most common kinds of cell – generator cells and projector cells.

These 2 types are designed to interlock with each other. The generator cells collectively create the life of the organism. They are pure energy cells buzzing day and night, maintaining and building the whole.

Projector cells are unique. They have no propulsion of their own, so they drift around on the endless energy currents created by the generator cells.

You might imagine how easy it would be for a projector cell to feel that it had no purpose within the body.

However, each projector cell actually has a very specific purpose (some have more than one), but that purpose can only be realised when certain energy cells (generators) dock in with the projector cell to receive instructions.

Since the projector has no propulsion, it is powerless to initiate this process, but has to allow the generator cells to recognise them and dock in within their own timing. This recognition process takes place through a coded lock and key programme built into these 2 types at birth.

In other words, every projector holds multiple keys that fit an enormous array of locks. When a key does not fit a lock it is very obvious!

Through the knowledge of the WA, we know that the basic genetic unit is 5. These human groupings of mainly generators and projectors are also known as ‘Pentas’.

The nuclear family is a family of five.

Statistically, that is four generators and one projector. As an archetype, the role of this fifth projector is to maintain the stability of the 4 generators.

Right, this next part is where it gets spooky, so hang on to your seats and try and stay with me!…

Just as this fifth projector draws together the 4 generators to form a penta, this penta then takes on a life of its own. It also seeks something greater to dock into, and this is known as an OC16.

Pentas (groups of 5 human beings) seek out another projector, known as an alpha. Alpha projectors naturally dock together with three pentas, making 16 people (including the alpha).

The moment you have 16 people together, you actually have the foundation of an entire gene pool, which then continues to grow exponentially.

Right. I am going to stop there. Whether you were able to follow any of that or not, I am trying to make a point – which is that if you are a projector, you are genetically coded to have others (specifically generators) recognise you and approach you.

This is the foundation of the success of humanity as a species. The projector’s role is pivotal for life to be coherently organised.

But there is a great irony to it all for the projector – which is that there is nothing for them to do until they are recognised.

Every projector knows when the key fits. Every cell in their body lights up.

They also know when it only ‘sort of’ fits.

Those are the critical moments for projectors. If the fit is not perfect, they have to smile sweetly and turn away.

So how long does a projector have to wait? Well, forever.

There is a deep secret for projectors going through their deconditioning – that is, waiting itself transforms the cells.

The relief of not trying to make keys fit when they do not want to fit, releases a huge pressure from the projector’s life.

But it is also clear from my own experience of observing projectors that they are not always able to immediately throw away keys that do not fit.

Sometimes those keys may provide their livelihood, and they have to hold on to them until they find the correct keys to replace them. That takes courage – to wait knowing something is wrong and you are powerless to change it.

I have a vast admiration for any projector going through their deconditioning, and I have also learned that I can never move forward in life without the presence of projectors in key roles around me.

Projectors, if you cannot be patient, there is no hope for any of us…"

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Human Design knows the plan

This is a little outside of my 'care' zone, but can see the things we've trusted faltering. 

I think Human Design is here to offer  people awareness to be able to weather what would otherwise feel like impossibly stormy times.

Lucky us 🤗

Also, what a cool picture Chaitanya found 😍

- A


"The knowledge was given so that human beings could be equipped to live in an age in which there was nothing they could trust.

This is what the Cross of Planning has brought us. It’s brought us an age of, within reason, trust. 

That the trains will run on time, that the electricity will be there, that all of those things will work, that our children will have teachers in their schools, that the garbage will be picked up and on and on and on.

All the things that the Cross of Planning has brought us, the institutionalization of science and the spreading of all kinds of technologies that enhance the potential for the increase in human population, the increase in the potential of the gene pool, the increase in the potential for the unusual, the mutative.

Human Design is not about the time of the Cross of Planning. Human Design knows the plan. It’s not about that at all. It's about bringing the possibility of the richness of life to the next generation. 

If the stellar family teaches us anything it’s that even the gods, even the remotest forces in the stream are concerned about the generations and the movement of information. 

There are certain stars in the sky that could not exist until other stars had died. The fact that human beings and certain brain functions, elements in our brain, that can only exist after the death of stars, we are so deeply connected to them. We live very close to one. That is our shelter and our light."

- Ra Uru Hu

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