"When I talk about cognitive architecture in regards to the 5th and 6th tones, when I’m talking about the 5th tone [Feeling cognition] I am talking about a capacity to take in complex information from auras, from the electromagnetic field, from chemistry.
In talking about the 6 [Touch cognition] I’m talking about a tactile sensitivity in which contact can lead to the absorption of enormous amounts of discernable information.
In other words, we’re talking about a level of sensory sensitivity that is not something other than unusual and what are, in fact, usually the mutative or the product of injuries, these phenomena of people that display some of the qualities that I’m suggesting here in the 5th and 6th tonal potential.
When we take it to the BodyGraph, it was one of the dilemmas for me in the beginning understanding, because my understanding was that I was taught the cognitive root, so my whole thing was to be able to differentiate between what is the cognitive architecture for the eventual emergence of rave and what is the experience of this in the Solar Plexus that we live with, which is a wave complex.
And of course, the moment that you’re dealing with the Solar Plexus as a motor, and this is what the surface is about, and it doesn’t matter whether there are exceptions and there are emotional beings that are correct now, and there are, this is about the vast majority of humanity that the way in which these senses operate are very crude and superficial.
I don’t mean to denigrate them in that sense, because in fact when I say that I only say that in relationship to what they could be emotionally.
In fact, emotional feeling and emotional touching in the wave context is much more profound in terms of its impact and the way in which it is processed within the vehicle than any thought or any Splenic spontaneity. There is a great force, obviously, connected to feeling and touch when we think about it in relationship to its motor value.
But what I want to stress is that we don’t really understand these things in relationship to what is their true potential. We understand them within the depth of what is available through the wave.
So what we’re talking about is the emotional response, for example, in touch, what is the emotional affect of that touch. And that is an energy quality that is taken in. It’s the same thing with feeling.
The only difference is that because we are still Ajna dominated what we have done historically as not-self is that we have created interpretations for our emotions which are mental. There are attempts at bringing awareness to wave forms; very difficult to do.
For me this difference between the BodyGraph Solar Plexus sensory potential and the tonal, this is the greatest divide. You can see the connection from the architecture to the Spleen and the Ajna without much difficulty. But here there is this huge divide, because it’s the motor that’s standing in the way.
And of course, as long as this motor is standing in the way, the only way that these things can be interpreted is the way in which you’re taught in Design, which is that you have to have patience.
You have to have patience so the distortion of the wave doesn’t become the thing that you recognize, that it is the wisdom of processing the wave over time that truly brings an understanding through whether it is the touch or the feeling.
The interesting thing for me about the emotional senses in the BodyGraph is that they are fundamentally social.
This is the great contact awareness and it is this movement of these energies, these wave energies that are the most distorting. It’s why for that 50% of humanity that is emotional, each and every one of them that manages to find a way to come to grips with their emotional nature, what a transformation that is, because this is the only way to handle the wave, is to handle the wave with awareness.
And it’s also interesting about the mind’s connection to it. The further mind is away from decision making the easier it will become for mind to accept the wave energy without a distorted interpretation of what it is.
I notice that myself in my own process as a very unemotional person how different it is for me in this point in my life as I absorb emotional energy on a day-by-day basis. I have emotional sons; there are emotional beings that I have contact with. And I notice how I used to jump to conclusions all the time. I would feel a wave, and I’m very sensitive to it and I would read it right away and I would interpret it right away.
And often, because of course when you’re unemotional you amplify, you get amplified. And of course, amplification is always a risk of distortion.
Being the kind of being that I am, so spontaneous is that in that moment of just identifying that wave in that place I actually got in the way of my potential relationship with that being on the other side. I really didn’t see anything.
What I’ve learned is not to interpret the emotional wave, just take it in.
Just to take it in as a wave pattern, and to take it in as a wave pattern without trying to use my mind to make it aware instead of allowing my mind to watch its effect, because it’s the effect that’s so fascinating.
Anyway, I have too much to cover here, I get carried away."
~Ra Uru Hu
Thanks Koen and Oleksander
@Carizma22 3/5 splenic P, has said yes to sharing this 😍
I love it when I get to be privy to an ‘experiment progress report’ from one of our Locals members.
Wanna celebrate with me? 🥳🤩🙌🏽
This next one is a tale of Carole’s undefined solar plexus adventures, originally posted in a Projector fb group.
Cool witnessing Carole! 🤗
Thread gist in comments (screenshots) and a somewhat messy screen grab video of the video recommended in one of the OP comments she received included below (above?🤓)
And there’s a short video of @BeyondBeautiful and me first talking about “avoiding confront and truth” which includes a story I often have told about John and the very first real time glimpse I saw this undefined solar plexus dealie irl. Can find.
Blew my mind.
I know there are several splenic Authority folks in here, maybe you have stories to share too?
"Some ideas take decades"
This is pretty inspiring. She reckons she's finally finished her apprenticeship at 70 💜
Fun add-on HD irl example - this was shared in Vanessa's group on FB, The Art of Being You by another appreciative group member (thank you Kathrin 🤗), and I first watched it a few hours ago.
I immediately thought what a great share it would be in here 🤩 but it landed pretty quickly on my 'roundtooit list.
Maybe to get shared here, maybe not. Tbh, the hold up was that I didn't really want to share a FB link in here, so I was looking (investigating) around to see if it was on another platform.
Hadn't found it yet.
Then it turns out that @NaimR wasn't able to view it from Canada (someone is blocking it for Canada ? wha?) and she said as much on the thread in Vanessa's group.
And you know what kicks in?
My Design (19/49 and Markets internal in particular), which had me heading this way anyway - at some point ... maybe... but I always get a little boost of focus from ...
There were three roller coasters 🎢 we had on or radar for the last hour before the rides closed.
Wasn’t to be, but we did find this nice place to sit and wait out the deluge that started right after we grabbed a great smoked BBQ supper.
And ooh it cooled everything off perfectly. And gave us some rest before we found our way back to the car (which was parked on the very first row of priority parking 🥳)
Ahhhh nothing to do, so much nothing to do 🥳🥰🍿
This is a post and audio from @BeyondBeautiful - Valerie Montgomery, Self Projected Projector
"I wanted to make this breakfast and found myself rushing.
Now, you might be interested to know I have Alternating Determination, which means I need to do things “One Thing At A Time,” which turns out to be the title of the song I made up to shift the energy of starting to make this breakfast.
I also have an Undefined Root, so it always feels like I need to get rid of the pressure. Also known as feeling rushed to do things.
It would have been lovely to have my cat fix my breakfast, and I had the time, so..
Also being Self Projected my authority comes out through my speaking, or in this case, singing."
Great awareness and share, thank you Valerie! 💜Not sure that's the right title for this, but it's what came out so I'm rolling with it.
This story began in a FB group. Where many of my stories do.
I can't actually remember the thread or how we ended up in messenger, but the reason we did was because 5/1 Projector with Gate 1 on an undefined G center ... had music of hers to share but hasn't been able to share it so far.
Am still waiting to see if the rest of the story gets shared with me.
So she asked me what sort of music I liked and did I want something more abstract (I think it was) or a vocal cover. I chose vocal cover and she picked this one.
I felt it to my core.
Not sure if part of that was related to some of what she'd already (not intentionally) told me ... 5th line folks can take a lot of patience to draw out - that's been my experience so far anyway.
Some feel interesting enough to spend the energy on :) That's true here.
A kind of sidenote to this is that both my Uranus Opposition (40ish yo) and Chiron (50ish yo) charts carry a 3/5 and it feels like, though I'm not a 5th line - I do sort of get ...
From Laetitia -
✨ Any undefined gate can create a sense of incompleteness for Mindy ✨
“You look at your Design. Look at the gates that are hanging there in the centers [blue arrows].
Now, there you have something to look at. They're hanging there from those centers and you can imagine them as some kind of lounge lizard with its tongue dangling waiting, breathlessly, longing for the other side.
Those gates where you have activation and you don't have anything on the other side; there is always this thing there. This illusion of incompleteness, this illusion that something is missing and I have to have it.
And if I don't get it then there's something wrong with me, so I want it. Look at those gates you have hanging, look at what's at the other end. “I want it. It should be mine, I deserve it. I need it, I'm going to chase after it, and I'm going to make it happen.””
| our dude, being almost suspiciously concise
| Design concepts - Lecture 8 Conditioning and connecting
✏️ This...
A call came in around 6:25am from the nursing home we’d been able to transfer my dad to (just the night before) to say he had passed at 5:56.
Also that my stepmother was unreachable (turns out she was running errands to prepare for the nursing home chapter - but it was to be a very short one), and could I make the next moves.
So I went to sit with him while we waited for his ride to the funeral home.
The next 12 hours were maybe the most exhausting I can ever remember, but everything unfolded pretty perfectly and I think he would have been quite content.
No pomp and circumstance as requested. A brief viewing for Linda et al at 4pm, and done.
His body’s next stop is medical research; it’s what his mother did as well. Made things relatively simple.
I actually feel pretty recognized for having been tapped to take care of all the little details. 🤷🏻♀️
Still processing, but am okay 😌
He was still warm when I took this picture. That was pretty weird.
Fwiw, he was an 86yo ...
[Posted to my FB timeline 4 years ago today]
Lol to the image 🙃😄
“Every single encounter that we have in this life is an encounter that is not only something to be valued in some kind of abstract sense …
But it's about recognizing that, because of the mechanics of what it is to be a human being, that we‘re actually designed to meet others uniquely.
It can be very profound in the way in which that can be grasped at a spiritual level.
That is, really seeing how fascinating it is, the way in which we are designed in relationship to the other beings that we share this plane with, that each and every one of them represents a unique potential for connectivity
And that you can never truly in any sense experience people in the same way [as someone else might].
And I think that says a lot for the underlying nature of Human Design.
That is, to be able to establish the authority of the unique being and to recognize that that is the fundamental purpose of what it is to be a human being.
That ...
Yesterday, @mellijae shared a graphic from 64Keys and it reminded me that there's a hashtag in here for #theplanets
Here's a direct search link -
https://planetandrea.locals.com/?search=%23theplanets
If you're interested in planetary placements in your chart - those 11 posts are a great place to begin. :)
by Richard Rudd
"There is one big key to understanding Projectors, and it can only be found by looking at the bigger picture.
We know that statistically, Projectors make up 21% of the population. That means that for every five people, more or less, there is one Projector.
Those are interesting numbers, especially when they are considered within the context of how Gene Pools operate.
There is a mysterious circuit within the Bodygraph that is curiously known as the WA. The WA holds the secret to the choreography of all human gene pools.
One day, when these aspects of Human Design are explored in more depth, we will be able to see how groupings of individual designs come together in the same way as cells bind together to create the organs within our bodies.
For those who baulk at the idea that we have no choice, this is frightening stuff.
The WA shows how different human designs are collectively organised and herded together to perform certain functions within the greater body of humanity.
Imagine then, that humanity is a body like your own body. There are only 4 types of cells, each with their own sub-programming.
At one extreme, you have a small amount of ‘rogue’ cells, independent bodies that are designed to operate outside the loop of the mainframe programming. Ironically however, these manifestor cells are just as dependent upon the whole as any other type. They are simply programmed to appear independent.
At the other extreme, you have a tiny percentage of early-warning cells – these unusual cells have no programming of their own but are designed to take accurate readings of any cellular environment they move through.
In every sub-culture you will find a few of these cells reflecting the health of the local environment. Their role is to warn the overall intelligence of the body of any potential disruptions to the organism. They are called reflector cells.
The bulk of the cellular life of the body (91%) is made up of the two most common kinds of cell – generator cells and projector cells.
These 2 types are designed to interlock with each other. The generator cells collectively create the life of the organism. They are pure energy cells buzzing day and night, maintaining and building the whole.
Projector cells are unique. They have no propulsion of their own, so they drift around on the endless energy currents created by the generator cells.
You might imagine how easy it would be for a projector cell to feel that it had no purpose within the body.
However, each projector cell actually has a very specific purpose (some have more than one), but that purpose can only be realised when certain energy cells (generators) dock in with the projector cell to receive instructions.
Since the projector has no propulsion, it is powerless to initiate this process, but has to allow the generator cells to recognise them and dock in within their own timing. This recognition process takes place through a coded lock and key programme built into these 2 types at birth.
In other words, every projector holds multiple keys that fit an enormous array of locks. When a key does not fit a lock it is very obvious!
Through the knowledge of the WA, we know that the basic genetic unit is 5. These human groupings of mainly generators and projectors are also known as ‘Pentas’.
The nuclear family is a family of five.
Statistically, that is four generators and one projector. As an archetype, the role of this fifth projector is to maintain the stability of the 4 generators.
Right, this next part is where it gets spooky, so hang on to your seats and try and stay with me!…
Just as this fifth projector draws together the 4 generators to form a penta, this penta then takes on a life of its own. It also seeks something greater to dock into, and this is known as an OC16.
Pentas (groups of 5 human beings) seek out another projector, known as an alpha. Alpha projectors naturally dock together with three pentas, making 16 people (including the alpha).
The moment you have 16 people together, you actually have the foundation of an entire gene pool, which then continues to grow exponentially.
Right. I am going to stop there. Whether you were able to follow any of that or not, I am trying to make a point – which is that if you are a projector, you are genetically coded to have others (specifically generators) recognise you and approach you.
This is the foundation of the success of humanity as a species. The projector’s role is pivotal for life to be coherently organised.
But there is a great irony to it all for the projector – which is that there is nothing for them to do until they are recognised.
Every projector knows when the key fits. Every cell in their body lights up.
They also know when it only ‘sort of’ fits.
Those are the critical moments for projectors. If the fit is not perfect, they have to smile sweetly and turn away.
So how long does a projector have to wait? Well, forever.
There is a deep secret for projectors going through their deconditioning – that is, waiting itself transforms the cells.
The relief of not trying to make keys fit when they do not want to fit, releases a huge pressure from the projector’s life.
But it is also clear from my own experience of observing projectors that they are not always able to immediately throw away keys that do not fit.
Sometimes those keys may provide their livelihood, and they have to hold on to them until they find the correct keys to replace them. That takes courage – to wait knowing something is wrong and you are powerless to change it.
I have a vast admiration for any projector going through their deconditioning, and I have also learned that I can never move forward in life without the presence of projectors in key roles around me.
Projectors, if you cannot be patient, there is no hope for any of us…"
This is a little outside of my 'care' zone, but can see the things we've trusted faltering.
I think Human Design is here to offer people awareness to be able to weather what would otherwise feel like impossibly stormy times.
Lucky us 🤗
Also, what a cool picture Chaitanya found 😍
- A
"The knowledge was given so that human beings could be equipped to live in an age in which there was nothing they could trust.
This is what the Cross of Planning has brought us. It’s brought us an age of, within reason, trust.
That the trains will run on time, that the electricity will be there, that all of those things will work, that our children will have teachers in their schools, that the garbage will be picked up and on and on and on.
All the things that the Cross of Planning has brought us, the institutionalization of science and the spreading of all kinds of technologies that enhance the potential for the increase in human population, the increase in the potential of the gene pool, the increase in the potential for the unusual, the mutative.
Human Design is not about the time of the Cross of Planning. Human Design knows the plan. It’s not about that at all. It's about bringing the possibility of the richness of life to the next generation.
If the stellar family teaches us anything it’s that even the gods, even the remotest forces in the stream are concerned about the generations and the movement of information.
There are certain stars in the sky that could not exist until other stars had died. The fact that human beings and certain brain functions, elements in our brain, that can only exist after the death of stars, we are so deeply connected to them. We live very close to one. That is our shelter and our light."
- Ra Uru Hu
