I watch John with his 3/60 these days. Lots of projects, lots of satisfaction š
Heās currently working on a still š¤¦š»āāļø
Me on the other hand, nada. Or atleast nothing is being ādoneā atm ā¦ but this is always part of the up and down of things too.
Things percolate in me. I know this from the decades that have already been lived.
It can be kinda boring waiting tbh. But thatās okay.
When I donāt add meaning to it. š
Made a delicious pot of Zuppa Toscana the other day. Man I could have a season of eating that š
And oven baked barbecue ribs last night.
Talk about mundane creativity. š¤·š»āāļø
Both of these meals happened without a schedule.
The soup would have been days of meals for me if I didnāt have others eating it, Iād have been okay with that.
Which is kind of interesting - itās like my 19/49 does the shopping (fills the fridge), but then itās every person for themselves.
The tribal bargain ends and the creativity of the preparation is left to the pulse.
Which for me, without Individual circuitry channels, is super inconsistent.
These are the words from Ra that prompted this writing/pondering this morning -
āWhen you look at the combination here of the 1st and 2nd Gates, youāre looking at the extremes in the configuration of the wheel itself: the all-yang 1 and the all-yin 2.
This is about direction. Itās about direction for life itself.
And the direction of life itself is creative.
In truth itās re-creative, but thatās another story.
But the way it appears to be is that we are a deeply creative force with a deeply creative direction.
In essence it is our evolutionary movement because down here, it is out of the 3/60, the Channel of Mutation, that creativity brings newness, the newness of every child, the newness of everything that is going to have a chance to fit into the larger world.
This is the creative direction of the species.
And it also says that the nine centered being, with all of its Individuality, is imbued
with sadness.
And you can see it everywhere. This is not a happy world that we live in, with the billions and billions of people that carry Individuality who are not-self, who live in a world dominated by the Sacral Center, a world of frustration and sadness.
A very easy generic description for the life force on this planet is frustration and sadness.
Oh yes, there are pockets of everything else, but there are seven billion of us.
There is a huge proportion of humanity in which this sadness that becomes this reason leads to all kinds of things, leads to horrors on this plane.
Itās what happens when you donāt know how things [HD mechanics] work and you identify with them, and you turn them into something else...
Something to understand is that creativity is a deeply generic term. Itās a real generalization.
And not only is it a generalization, but a generalization seen through the arts, per se.
You think about creativity within the context of music, art, or film, and all the variations that go with those things.
Itās the first thing to sort of let go of.
Itās not that itās not there, but itās not the point.
For somebody like me who has only a very complex Individual definition, something that I recognize about the beauty of the life experience is that any and all things can be creative, that one can live a creative life, be a creative being.
It doesnāt mean that what youāre doing has any kind of exalted frame to it.
I take great pleasure out of very, very mundane things, because very mundane things can be done in a way that is truly creative.
That is, that it brings peace, satisfaction, success, surprise, or whatever the case may beā¦
And remember something about creative circuitry. It operates in the pulse: itās there and itās not; itās there and itās not, and suddenly itās there.
The thing to always understand about the creative process, or to understand melancholy, is that itās there and itās not; itās there and itās not.
It is always in the pulse.
So, itās not about being able to push the river. There is no pushing the river hereā¦
You canāt get rid of sadness, and you donāt want to.
Again, for someone like me who is all Individual, I like sadness, because sadness without a reason is kind of warm and fuzzy.
You feel that itās exactly the right chemistry for letting go into fulfilling your creative potential, whatever that may be in that particular moment. Itās just there.
Sadness without a reason is an incredible thing. Itās just a chemistry then.
And it doesnāt carry all of the values that the word āsadnessā carries.
Itās the thing that feels like sadness, but it isnāt because thereās no reason. Itās just another state.
Itās another dimension in the experiential process that we go through, how different you are physically as an emotional being when youāre up or down.
This is something that is deep within us.
This sadness without a reason is always putting you chemically in the right setup for releasing whatever the creative
potential happens to be, because thatās what it does, because it is the muse.
It is calling you to live out your process with a different frequency, the frequency that comes out of this specific chemistry.ā
~Ra Uru Hu
@Carizma22 3/5 splenic P, has said yes to sharing this š
I love it when I get to be privy to an āexperiment progress reportā from one of our Locals members.
Wanna celebrate with me? š„³š¤©šš½
This next one is a tale of Caroleās undefined solar plexus adventures, originally posted in a Projector fb group.
Cool witnessing Carole! š¤
Thread gist in comments (screenshots) and a somewhat messy screen grab video of the video recommended in one of the OP comments she received included below (above?š¤)
And thereās a short video of @BeyondBeautiful and me first talking about āavoiding confront and truthā which includes a story I often have told about John and the very first real time glimpse I saw this undefined solar plexus dealie irl. Can find.
Blew my mind.
I know there are several splenic Authority folks in here, maybe you have stories to share too?
"Some ideas take decades"
This is pretty inspiring. She reckons she's finally finished her apprenticeship at 70 š
Fun add-on HD irl example - this was shared in Vanessa's group on FB, The Art of Being You by another appreciative group member (thank you Kathrin š¤), and I first watched it a few hours ago.
I immediately thought what a great share it would be in here š¤© but it landed pretty quickly on my 'roundtooit list.
Maybe to get shared here, maybe not. Tbh, the hold up was that I didn't really want to share a FB link in here, so I was looking (investigating) around to see if it was on another platform.
Hadn't found it yet.
Then it turns out that @NaimR wasn't able to view it from Canada (someone is blocking it for Canada ? wha?) and she said as much on the thread in Vanessa's group.
And you know what kicks in?
My Design (19/49 and Markets internal in particular), which had me heading this way anyway - at some point ... maybe... but I always get a little boost of focus from ...
There were three roller coasters š¢ we had on or radar for the last hour before the rides closed.
Wasnāt to be, but we did find this nice place to sit and wait out the deluge that started right after we grabbed a great smoked BBQ supper.
And ooh it cooled everything off perfectly. And gave us some rest before we found our way back to the car (which was parked on the very first row of priority parking š„³)
Ahhhh nothing to do, so much nothing to do š„³š„°šæ
This is a post and audio from @BeyondBeautiful - Valerie Montgomery, Self Projected Projector
"I wanted to make this breakfast and found myself rushing.
Now, you might be interested to know I have Alternating Determination, which means I need to do things āOne Thing At A Time,ā which turns out to be the title of the song I made up to shift the energy of starting to make this breakfast.
I also have an Undefined Root, so it always feels like I need to get rid of the pressure. Also known as feeling rushed to do things.
It would have been lovely to have my cat fix my breakfast, and I had the time, so..
Also being Self Projected my authority comes out through my speaking, or in this case, singing."
Great awareness and share, thank you Valerie! šNot sure that's the right title for this, but it's what came out so I'm rolling with it.
This story began in a FB group. Where many of my stories do.
I can't actually remember the thread or how we ended up in messenger, but the reason we did was because 5/1 Projector with Gate 1 on an undefined G center ... had music of hers to share but hasn't been able to share it so far.
Am still waiting to see if the rest of the story gets shared with me.
So she asked me what sort of music I liked and did I want something more abstract (I think it was) or a vocal cover. I chose vocal cover and she picked this one.
I felt it to my core.
Not sure if part of that was related to some of what she'd already (not intentionally) told me ... 5th line folks can take a lot of patience to draw out - that's been my experience so far anyway.
Some feel interesting enough to spend the energy on :) That's true here.
A kind of sidenote to this is that both my Uranus Opposition (40ish yo) and Chiron (50ish yo) charts carry a 3/5 and it feels like, though I'm not a 5th line - I do sort of get ...
My 16.5 (in detriment š¤) is ānoddingā over here š¤
Ironically also in my P Venus (conscious āvaluesā) ā¦. seriously not wired for the ālove and lightā and ābe kindā conditioning š
Itās interesting to read here that Ra ties it all to personal talent. I suppose itās true (hahahaha not meaning to model it but, ya know - no choice) ā¦ but also, the general sharing of enthusiasm, or rather the ability to excuse myself from it and give others a heads up that thatās whatās up - has been a great addition to my life (I say with as much enthusiasm as possible š).
TBH, this is one of my most appreciated emojis š„³ ā¦ and when I use it, I really mean it š
Watch this short reel first to follow along -
https://www.facebook.com/share/v/19bFV7o6oj/?mibextid=wwXIfr
From the line companion -
16.5 The Grinch
āWhen we come to the fifth line, we come to the line that gets projected on. The first line tells us the nature of a hexagram and the fifth line tells us how the world sees it.
This line is called The Grinch. That...
š Profiles 101 - Right Angle Crosses/Profiles (RAX) : 1/3 1/4 2/4 2/5 3/5 3/6 4/6 and their personal destiny š
āØ The Right Angle beings are here to expand the possibilities of what it is to be human āØ
āIt is only then operating out of that authority that you get to fulfill what the Right Angle is all about.
It's the Right Angle that opens up the possibilities of what it can be to be human.
The Right Angle is research and development.
The Juxtaposition is communication.
And the Left Angle is marketing and everything about the nature of what it is to be a species.
Everything about the nature of being able to transform what takes place at the right angle and turn it into a mutation that affects all of humanity is dependent on the depth and quality of the Right Angle beings that we have on this plane.
If you get to somebody like me who is a Left Angle. I'm a 5/1, my job is to spread the mutation.
But the mutation arises out of the human experience.
It arises out of that ...
š Profiles 101 - Right Angle Crosses/Profiles (RAX) : 1/3 1/4 2/4 2/5 3/5 3/6 4/6 and their personal destiny š
āØ The Right Angle : an adventure life, being the spark changing the whole nature of being for everyone āØ
āYou have to see the Right Angle is here to test the mettle of life. You know, it's here to really live out this process. And not to live it out in some constrained manner that limits their potential that takes away from them the gift of what personal destiny is all about.
It's personal destiny, you make your destiny.ā
[note : that part is really confusing in the context of Human Design and the no choice of it all, heās talking about living your Startegy and Authority, not deciding what your destiny has to be and do it]
āAnd when you're ready to trust yourself [again, heās talking about S&A], what you get to see is that your concepts about what it's going to look like have nothing to do with what really is going to happen to you, nothing. See to be a Right Angle ...
Yesterday, @mellijae shared a graphic from 64Keys and it reminded me that there's a hashtag in here for #theplanets
Here's a direct search link -Ā
https://planetandrea.locals.com/?search=%23theplanets
If you're interested in planetary placements in your chart - those 11 posts are a great place to begin. :)
by Richard Rudd
"There is one big key to understanding Projectors, and it can only be found by looking at the bigger picture.
We know that statistically, Projectors make up 21% of the population. That means that for every five people, more or less, there is one Projector.
Those are interesting numbers, especially when they are considered within the context of how Gene Pools operate.
There is a mysterious circuit within the Bodygraph that is curiously known as the WA. The WA holds the secret to the choreography of all human gene pools.
One day, when these aspects of Human Design are explored in more depth, we will be able to see how groupings of individual designs come together in the same way as cells bind together to create the organs within our bodies.
For those who baulk at the idea that we have no choice, this is frightening stuff.
The WA shows how different human designs are collectively organised and herded together to perform certain functions within the greater body of humanity.
Imagine then, that humanity is a body like your own body. There are only 4 types of cells, each with their own sub-programming.
At one extreme, you have a small amount of ārogueā cells, independent bodies that are designed to operate outside the loop of the mainframe programming. Ironically however, these manifestor cells are just as dependent upon the whole as any other type. They are simply programmed to appear independent.
At the other extreme, you have a tiny percentage of early-warning cells ā these unusual cells have no programming of their own but are designed to take accurate readings of any cellular environment they move through.
In every sub-culture you will find a few of these cells reflecting the health of the local environment. Their role is to warn the overall intelligence of the body of any potential disruptions to the organism. They are called reflector cells.
The bulk of the cellular life of the body (91%) is made up of the two most common kinds of cell ā generator cells and projector cells.
These 2 types are designed to interlock with each other. The generator cells collectively create the life of the organism. They are pure energy cells buzzing day and night, maintaining and building the whole.
Projector cells are unique. They have no propulsion of their own, so they drift around on the endless energy currents created by the generator cells.
You might imagine how easy it would be for a projector cell to feel that it had no purpose within the body.
However, each projector cell actually has a very specific purpose (some have more than one), but that purpose can only be realised when certain energy cells (generators) dock in with the projector cell to receive instructions.
Since the projector has no propulsion, it is powerless to initiate this process, but has to allow the generator cells to recognise them and dock in within their own timing. This recognition process takes place through a coded lock and key programme built into these 2 types at birth.
In other words, every projector holds multiple keys that fit an enormous array of locks. When a key does not fit a lock it is very obvious!
Through the knowledge of the WA, we know that the basic genetic unit is 5.Ā These human groupings of mainly generators and projectors are also known as āPentasā.
The nuclear family is a family of five.
Statistically, that is four generators and one projector. As an archetype, the role of this fifth projector is to maintain the stability of the 4 generators.
Right, this next part is where it gets spooky, so hang on to your seats and try and stay with me!ā¦
Just as this fifth projector draws together the 4 generators to form a penta, this penta then takes on a life of its own. It also seeks something greater to dock into, and this is known as an OC16.
Pentas (groups of 5 human beings) seek out another projector, known as an alpha. Alpha projectors naturally dock together with three pentas, making 16 people (including the alpha).
The moment you have 16 people together, you actually have the foundation of an entire gene pool, which then continues to grow exponentially.
Right. I am going to stop there. Whether you were able to follow any of that or not, I am trying to make a point ā which is that if you are a projector, you are genetically coded to have others (specifically generators) recognise you and approach you.
This is the foundation of the success of humanity as a species. The projectorās role is pivotal for life to be coherently organised.
But there is a great irony to it all for the projector ā which is that there is nothing for them to do until they are recognised.
Every projector knows when the key fits. Every cell in their body lights up.
They also know when it only āsort ofā fits.
Those are the critical moments for projectors. If the fit is not perfect, they have to smile sweetly and turn away.
So how long does a projector have to wait? Well, forever.
There is a deep secret for projectors going through their deconditioning ā that is, waiting itself transforms the cells.
The relief of not trying to make keys fit when they do not want to fit, releases a huge pressure from the projectorās life.
But it is also clear from my own experience of observing projectors that they are not always able to immediately throw away keys that do not fit.
Sometimes those keys may provide their livelihood, and they have to hold on to them until they find the correct keys to replace them. That takes courage ā to wait knowing something is wrong and you are powerless to change it.
I have a vast admiration for any projector going through their deconditioning, and I have also learned that I can never move forward in life without the presence of projectors in key roles around me.
Projectors, if you cannot be patient, there is no hope for any of usā¦"
This is a little outside of my 'care' zone, but can see the things we've trusted faltering.Ā
I think Human Design is here to offer Ā people awareness to be able to weather what would otherwise feel like impossibly stormy times.
Lucky us š¤
Also, what a cool picture Chaitanya found š
- A
"The knowledge was given so that human beings could be equipped to live in an age in which there was nothing they could trust.
This is what the Cross of Planning has brought us. Itās brought us an age of, within reason, trust.Ā
That the trains will run on time, that the electricity will be there, that all of those things will work, that our children will have teachers in their schools, that the garbage will be picked up and on and on and on.
All the things that the Cross of Planning has brought us, the institutionalization of science and the spreading of all kinds of technologies that enhance the potential for the increase in human population, the increase in the potential of the gene pool, the increase in the potential for the unusual, the mutative.
Human Design is not about the time of the Cross of Planning. Human Design knows the plan. Itās not about that at all. It's about bringing the possibility of the richness of life to the next generation.Ā
If the stellar family teaches us anything itās that even the gods, even the remotest forces in the stream are concerned about the generations and the movement of information.Ā
There are certain stars in the sky that could not exist until other stars had died. The fact that human beings and certain brain functions, elements in our brain, that can only exist after the death of stars, we are so deeply connected to them. We live very close to one. That is our shelter and our light."
- Ra Uru Hu
